迷失Z城

剧情片美国2016

主演:查理·汉纳姆,罗伯特·帕丁森,西耶娜·米勒,汤姆·赫兰德,爱德华·阿什利,安古斯·麦克菲登,伊恩·麦克迪阿梅德,克莱夫·弗朗西斯,马修·桑德兰,亚历山大·约瓦诺维奇,叶莲娜·索洛维,鲍比·斯莫德里奇

导演:詹姆斯·格雷

 剧照

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更新时间:2024-05-11 20:01

详细剧情

  英国探险家珀西·福斯特(查理·汉纳姆 Charlie Hunnam 饰)深入神秘的南美洲亚马逊丛林探险,竟发现未知的文明生活迹象,他回到英国公开这个意义深远的重大发现,却被当成笑话嘲弄,没有人愿意相信他的话。在爱妻尼娜(西耶娜·米勒 Sienna Miller 饰)无怨无悔的支持下,福斯特决心带领儿子杰克(汤姆·霍兰德 Tom Holland 饰)重返亚马逊丛林,寻找古文明存在的证据,一行人却离奇消失,从此再无任何音讯,成为史上最神秘又悬疑的失踪事件。

 长篇影评

 1 ) 探险家的危险旅程

探险家Percy Fawcett生于1867年,深入亚马逊河谷5次直至最后一次消失在密林之中。影片改编自他的故事。
        佛斯特的父亲生于印度殖民地,哥哥是登山家与冒险小说家。佛斯特自己一心想从事更加冒险有趣的职业,所以佛斯特几乎不假思索地就接受了去南美画地图这样的使命,也开始了他的冒险人生。
       看到一张冒险家本人1911年的照片,那时候他已经成功地完成了几次亚马逊河域的旅程,照片上的他紧蹙眉头,神情严肃,并没有那种轻松喜悦的神色。
       影片中的福斯特梳着一丝不苟的油头,绅士气十足。他在途中读妻子写下的歌颂英雄主义的诗歌。佛斯特第一次探险归来的时候得到了热烈的欢迎。他与怀抱幼子的妻子在人群中拥吻。英格兰歌舞升平,生活惬意,波澜不惊,与密林丛生,四处是未知的野兽以及印第安部落的亚马逊形成了鲜明的对比。可是佛斯特坚信自己发现了失落的文明,执意要再次踏上旅途。妻子看着佛斯特在高堂上神色坚定地号召人们去寻找Z文明,又骄傲又担心。终于他和妻子爆发了争吵。可是争吵后,他还是和同伴踏上了九死一生的旅途。不过这次他们铩羽而归,并没能到达Z。
     时光到了一战,年近50的佛斯特自愿到前线服役。在战场,一个女巫对佛斯特说,你所发现的,远比你想象的更加伟大,你要再去寻找他们,这就是你的命运。佛斯特与曾经一同探险的伙伴在同一军营服役,在一场战斗中,几乎命丧德军毒气战。在病床上,佛斯特说自己梦到了亚马逊的从林,可是医生说介于身体状况佛斯特不可能再踏上那样的征途了。佛斯特的长子Jake看着在病榻上痛哭流涕的父亲,却默默与这位缺席家庭生活多年的父亲和解了。
     最后,Jake鼓励父亲再次踏上征途,也许是战争与缺乏父爱的童年让Jake对人生的意义充满质疑,Jake坚持要与父亲同去。他们一路上都受到高度关注,在火车站为他们喝彩的人不计其数。可是这次终究是一次致命之旅,父子俩在丛林里走过之前的那些路,发现曾经人烟兴盛的城市已荒废,终将父子俩也成了迷失的一部分,都没能再回来。
     维基百科上提供了福斯特父子结局的很多说法,但没有一个说法能够被证实。有一个说法是佛斯特丧失了记忆,在一个食人部落里生活并成为了首领。又有很多其他的说法表示父子已被杀害。
     影片并没有英雄主义式的煽情。全片色彩古典,更像是流畅的叙事。里面间或的南美片段,也让人想起马尔克斯的小说。
     不管是探险,还是一战,佛斯特度过了那样危险重重的一生。在那些濒死时刻,他想起的都是恍如隔世般的英格兰,可这些却是他放弃的生活。他曾经幸运地找到过Z的一些遗迹,却终其一生再没能踏上Z。
      但是你能说,佛斯特的一生都是无用功吗?用佛斯特自己的话说,这就是他的命运,他们完成了别人无法想象的旅程。

      看完电影出来,里昂正是暮色降至的时刻,看着平静美好的街道与河流,想想有人能够放弃这样的生活,坚持去完成那件十分危险的使命,又觉得其实世界是属于有勇气的人的,我们今天对世界的很多认知,都是由这些勇敢的古典旅行者缔造出来的。

 2 ) 都在说这个电影和传记和实际出入很大

The Lost City of Z is a very long way from a true story — and I should know
A new Hollywood film hypes Percy Fawcett as a great explorer. In fact, he was a racist incompetent who achieved very little

The new film The Lost City of Z is being advertised as based on the true story of one of Britain’s greatest explorers. It is about Lt-Col Percy Fawcett. Greatest explorer? Fawcett? He was a surveyor who never discovered anything, a nutter, a racist, and so incompetent that the only expedition he organised was a five-week disaster. Calling him one of our greatest explorers is like calling Eddie the Eagle one of our greatest sportsmen. It is an insult to the huge roster of true explorers. Had the advertisement been about a soap powder, it would fall foul of the Trade Descriptions Act.

Percy Fawcett joined the army immediately after school, with a commission in the artillery in 1886. The next 20 years involved garrison duty in Ceylon and postings in Malta and England. The only significant events were getting married and becoming a devotee (like many others) of the charlatan psychic Madame Blavatsky. Fawcett’s game-changer came in 1906, when he was 40. The army let him take the Royal Geographical Society’s course on frontier surveying. Far away in South America, Bolivia had just sold its rubber-rich province of Acre to Brazil, so it needed its new north-western boundary mapped. The Bolivians approached the RGS for a mature surveyor to do this. The society’s secretary asked the newly qualified Fawcett whether he wanted to go; he accepted, reported for duty in La Paz and was at work on the new Amazonian frontier by the end of the year. This survey was the best thing Fawcett did. But he described it as boring, because the new frontier was all along rivers. This was the height of the great Amazon rubber boom, so he and his team cruised from one comfortable rubber barraca to the next, taking their regular measurements.

Fawcett’s only publications were a series of papers in the Geographical Journal about his mapping work. But he kept a journal, and in 1953 his son Brian edited this and other papers into a book called Exploration Fawcett. He emerges from it as a typical Edwardian colonial officer — friendly with South Americans but looking down on them, appalled by the cruelty at some rubber stations, full of gossip about life on this remote but boom-rich backwater, and uninterested in nature apart from banalities about dangerous snakes and irritating insects.

In 1908, the Bolivians asked Fawcett to survey another of their frontiers with Brazil: a small river called Verde, far away at the north-eastern corner of the large landlocked country. The preparations were appalling. Fawcett took minimal supplies, since he was accustomed to being fed by rubber stations. This was the end of the dry season with the river at its lowest. So they soon had to abandon their boat and continue on foot. After only a week, all food was exhausted and they were really starving. Fawcett casually remarked that five out of his six peons died from the effects of this five-week disaster. This was the only expedition he led into unexplored territory.

The Bolivians invited Fawcett back in 1910, this time to map part of their boundary with Peru. It involved paddling up a frontier river called Heath and two meetings with indigenous peoples on the banks. The first group fired arrows and guns over their heads. But Fawcett waded ashore with presents and shouting a few words of ‘Chuncho’ (the Peruvian word for all forest peoples) that he had memorised but did not understand. That was the only time that Fawcett attempted any language other than Spanish. Further up the Heath river, Fawcett met a tribe he called Ecocha (now Ese Eja) whom he really liked. They were ‘embarrassingly hospitable’ with their food, so Fawcett spent a few days with them and recorded something of their ethnography. He returned for a second visit in 1911.

After a final survey for the Bolivian government in 1913, of the upper Beni river in the Andes, Fawcett went sightseeing in central Bolivia. He and two companions were paddled down the big Guaporé river. They stopped at Mequens on its Brazilian bank to visit the Swedish anthropologist Baron Erland Nordenskiöld and his attractive wife, who provided guides to take them on a walk inland to visit a people they called Maxubi (now Makurap). The Maxubi were friendly and hospitable, but continuing on a forest trail Fawcett met another tribe (probably Sakurabiat) to whom he took a violent dislike. When one aimed a drawn bow at him, Fawcett shot the man with a Mauser revolver — absolutely forbidden by Brazil’s Indian Service. He described them as he imagined Neanderthals or Piltdown Man to have looked: ‘large hairy men, with exceptionally long arms, and foreheads sloping back from pronounced eye ridges… villainous savages, hideous ape men with pig-like eyes.’ No Amazonian Indian has body hair or looks remotely like this — I know, because I have spent time with over 40 different peoples. These two groups, and the two on the Heath, were the only tribal people seen by Fawcett. He liked two of them. So it was strange that he wrote racist gibberish that ‘there are three kinds of Indians. The first are docile and miserable people, easily tamed; the second, dangerous, repulsive cannibals very rarely seen; the third, a robust and fair people, who must have a civilised origin.’

When Fawcett was in the cattle country of central Bolivia in September 1914, news came of the outbreak of war. So he hurried home and by January 1915 was back in the artillery. In his late forties, he was too old for frontline service; but he fought a good war, ending as Lieutenant-Colonel.

In one of his pre-war lectures to the RGS, Fawcett had spoken of possible ancient ruins in the Amazon forests. He was now told about a scrap of paper dated 1743 in which bandeirantes imagined that they had seen a deserted city in the jungles. (The bandeirantes were slavers who scoured the interior of Brazil for Indians to capture. Although most of these thugs were illiterate, others did write reports about their travels — none of which said a word about seeing ruins.) Fawcett gave this imaginary ‘lost city’ the codename Z, and finding it became an obsession.

The easiest forest tribes to visit in Brazil were on the headwaters of one of the Amazon’s southern tributaries, the Xingu. A German anthropologist had contacted a dozen amiable peoples there in 1884; and since then they had been visited by seven groups of anthropologists or Indian Service officials. All had walked in by the same trail. So in 1920 Fawcett tried to follow this route — even though it was nowhere near where the chimera city might have been. His plans went wrong, so he got no further than a ranch halfway along the trail. In 1921 he searched for the mythical city down on the Atlantic coast, by train inland from Salvador da Bahia; but, hardly surprisingly, the miners there knew nothing.

In 1925, by now penniless but desperate, Fawcett tried again to reach the upper Xingu tribes. He now took two inexperienced ex-public schoolboys, his son Jack and Jack’s friend Raleigh Rimmel. The old surveyor made two suicidal pronouncements. One was that the trio should travel light, with nothing more than small packs. Everyone in Amazonia knew that you could not cut trails and keep your team fed with fewer than eight men. (I can confirm this, having done months of such cutting and carrying.) But Fawcett sent their pack animals and porters back, and continued with only his two novices. His other dictum was that Indians would look after them. This was equally dangerous. The Xingu tribes pride themselves on generosity; but they expect visitors to reciprocate. All expeditions in the past four decades had brought plenty of presents such as machetes, knives and beads. Fawcett had none. He committed other blunders that antagonised their hosts. So it was only a matter of days before they were all dead.

Twenty years later, Chief Comatsi of the Kalapalo tribe gave a very detailed account of Fawcett’s visit, reminding his assembled people of exactly how they had killed the unwelcome strangers. But the German anthropologist Max Schmidt, who was there in 1926, thought that they had plunged into the forests, got lost and starved to death; this was also the view of a missionary couple called Young who were on another Xingu headwater. The Brazilian Indian Service regretted that Fawcett, who was obsessively secretive, had not asked for their help in dealing with the Indians. They felt he was killed because of the harshness and lack of tact that all recognised in him.

Such was the sad tale of this incompetent, whose only skill was in surveying. But the disappearance of an English colonel while searching for a mythical ancient city in tropical rain forests was a media sensation. Two expeditions went to try to learn more. There was revived interest in the 1950s with the publication of Exploration Fawcett and the Kalapalo chief’s account of how they killed the Englishmen. Then it was forgotten until 2009 when David Grann, a talented writer, published The Lost City of Z. Unfortunately, Grann hyped the story out of all proportion and wrongly depicted Fawcett as a great explorer.

As he cheerfully admitted, Grann had no experience of rainforests. But he let his imagination run riot, with pages about ferocious piranhas, huge anacondas, electric eels (actually a fish that has never killed a man), frogs ‘with enough toxins to kill 100 people’, ‘predator’ pig-like peccary, ‘sauba ants that could reduce the men’s clothes to threads in a single night, ticks that attached like leeches (another scourge) and the red hairy chiggers that consumed human tissue. The cyanide-squirting millipedes. The parasitic worms that caused blindness…’ and so on. Everyone who know tropical forests, including me, knows that almost every word of this is nonsense.

Fawcett himself gave a simple account of his four surveying journeys for the Bolivian government. But for Grann, ‘in expedition after expedition… he explored thousands of square miles of the Amazon and helped redraw the map of South America’. Fawcett admitted that he was ‘a greenhorn in the jungle’ and knew nothing about nature. But Grann wrote that he moved ‘inch by inch through the jungle, tracing rivers and mountains, cataloguing exotic species… [until] he had explored as much of the region as anyone’.

For Grann, Fawcett was competing against other explorers ‘who were racing into the interior of South America’. The only study that Fawcett made after leaving school in 1886 was his RGS surveying course. He never mentioned any library research. But for Grann he was ‘almost unique’ in viewing 16th- and 17th-century chronicles ignored by other scholars; he re–evaluated El Dorado chronicles and consulted ‘archival records’ and ‘tribesmen’ in ‘piecing together his theory of Z’. Not a word of this was true, either.

Grann wrote that, as an author, he would have been lost without my three-volume, 2,100-page history of Brazilian Indians and five centuries of exploration. He quotes quite often from my books. So he had no excuse for describing Fawcett’s brief visits to three indigenous villages as the ‘discovery of so many previously unknown Indians’, from whom ‘he learned to speak myriad indigenous languages’, and adopted ‘herbal medicines and native methods of hunting [so that he] was better able to survive off the land’. Equally absurd was his rubbish about cannibalistic tribes, blow guns with poisoned darts, or Kuikuro menacing him with ‘gleaming spears flickering’ from the undergrowth (they never used spears, or had metal even, before their contact 130 years ago).

When the colonel vanished, Grann writes that ‘scores’ of explorers tried to find him, and that ‘one recent estimate put the death toll from these expeditions as high as 100.’ Actually, only one search expedition reached the Xingu, led by George Dyott in 1928. (It found that the three Englishmen had been killed by Indians.) The only other expedition was in 1932, but it got only as far as the Araguaia river far to the east. The death toll from these two attempts was zero. In 1935 a ridiculous actor called Albert de Winton went by himself to the Xingu and was killed by Indians who wanted his gun. So if we count him, the death toll is one — well short of Grann’s 100.

These and a great many other passages are artistic licence and hype of an absurd order. Hollywood believed everything Grann wrote, and then hyped it up more. People wishing to learn about the maverick colonel should consult his own fairly modest memoir — not the recent fantasy book and film about him. But I could recommend scores of writings by real explorers.

John Hemming is a Canadian explorer; the three volumes of his history of Brazilian Indians are Red Gold (1978), Amazon Frontier (1985) and Die If You Must (2004)

 3 ) 一个隐喻和一个祝福

还挺意外的,原来不按教科书叙事理论拍的片子是这样的。
躲开了英雄的塑料味儿,结识了一个人,管窥了一战前英国的一段社会阶层关系。

个人觉得最关键的梗,在他妻子最后对他念的一封小信,关于什么是活着。
值得背下来。

z城不是一个城。片中也从来没对这座城有过多的渲染,不过是一些小碎片拿出来作为电影不可不用之物摆摆样子。
z城隐喻的是深藏在每个人心里的那个梦想。
对z城的追寻和殉葬,这其间所损失的寻常人生,付出了爱人、朋友、社会地位、儿子的生命、自己的生命——一切人生必要且珍贵之物的代价,而那个梦想是否真的实现了呢?也始终未知。

那又如何呢?
那又如何?
去背片尾他妻子的那封小信。

祝福,是由俄罗斯女巫送上的。
她说‘这是你的使命’。

能清楚的找到自己的使命,清晰的明白它高于一切人生需求,在每一个需要做选择的关头,毫不犹豫的选择它。
这是莫大的幸福。

所有的战斗,都没用轰轰烈烈的处理。战场就在平淡之中,就在寻常生活里,就在每一个细小的选择之间。
愿我们都能发现自己的z城。
迷失其中,也是一种完美的结局。

 4 ) 真英雄不該有真票房

个人评分: 4.5分

個人很喜歡

通常“英雄”是一個電影類型,但認真甩出一個真實存在的英雄來,愛好者們往往都很失望。因為他們需要的是視覺、聽覺裡的“英雄”的陪伴,遠非實打實引發代入和想像的活人。

觀眾的“奶頭”是青樓、毒品、遊戲,以及電影。川端康成、海子、海明威的自殺並不會且永遠也不可能會阻擋、阻礙乃至略微抵消下大眾對奶頭的依賴。所以不太符合“奶頭”的作品通常票房、銷量不佳。

傳記電影、音樂電影、體育電影、特殊身份電影。從社會學、人文主義、電影史學講都是值得、需要,乃至必須去拍的類型。但在此之前有個更大的前提:市場規律。電影只是市場的一隻前帆,類型片不過帆上風一股。當電影之船才啟航遠未進入深水區時,最需要的水面、指南針、不出問題的船體和船員。只有當船足夠大、行駛足夠遠、經歷足夠多以後,才有能力、眼力、體力捕捉到每一縷新風。

那時,真實的英雄就不再使你畏懼,讓你抽離,害你莫名其妙。

那時,你所在的城市的票房構成也會與現在大不相同。

 5 ) 三顾雨林——稳扎稳打的古典剧作

5- 胶片摄影质感,三次亚马逊丛林探险经历为主体的古典原型叙事为家庭、上流社会和战场(西方文明重要三件套),三个充满冲突的国内的场景所串联,始终抓住主角的内心。特别好的剧本 游走于殖民时代末期的文明与野蛮之间,文明的野蛮是残酷的,而野蛮的文明是浪漫的。 原型叙事让影片集中于主角作为一个理想的西方探险者的视角: 从第一次为提升地位、完成任务却“无心插柳柳成荫”,听闻Z城的传说与一窥其文明踪迹 到第二次逼迫于在文明世界中证明自己的焦急再度前往,为一同前往的上级所妨碍而失败 再到第三次经受战争洗礼如愿升职,认清文明世界之野蛮后跟随心之所向,魂归丛林。 反过来从土著印第安人的角度来看这三次探险也很有意思,经历了视主角团为敌人到友人再到敌人的节奏变更,也反映着整个西方世界局势的动荡与殖民主义的消亡。 第一次对主角团的敌意源于先到一步的德国殖民军的侵占,土著眼里英国与德国人显然并无什么分别。此时的主角也作为英国的殖民军中的一份子,“成功征服”了此地,而德国派来的探险者仅剩一船一尸,可能在象征扩张殖民地过程中德国的滞后与不利,一战也由此酝酿。 第二次主角为证明自己与野蛮之文明而来,土著部落则友善地接纳了他。彼时一战前夕,各国专注于文明间的矛盾,无暇顾及远在南美的探险事业。文明的野蛮暂时擦去了在雨林的足迹,野蛮便对主角展现出了其所望的文明。

而第三次土著再度展现出了敌意,则是由于美国人武装齐备的“探险”。一战过去,曾作为欧洲殖民地的美国崛起成为文明世界的霸主,也开始试图将文明的足迹印在南美的亚马逊雨林。意识到美国人因为自己关于Z城的作品被吸引过去,主角此行更有几分救赎的意味。

所以说这个剧本写的真不错,层次数次递进,节奏总在起伏。一个探险故事被挖掘升华到殖民与西方文明史的叙述,同时没有丢掉其本身作为一个理想浪漫主义故事的特质。触及女性主义议题是一个不小的惊喜。我理解里感觉比较遗憾的是,荷兰弟的儿子角色有一点工具化,变为主角年长之后的代表初心和理想主义的发声者,父亲长期缺席后微妙的父子关系没有特别感受到。

 6 ) FIFF6丨DAY4《迷失Z城》亚马逊的丛林永远是探险者的天堂

第6届#法罗岛电影节#无人知晓单元第4个放映日为大家带来《迷失Z城》,下面为大家带来前线理想者优雅迷人的安息评价了!

果树:

摄影很棒,结尾的处理很棒,喜欢片子中对于世界也对于自己的探索的主题。

曲有误:

优雅而又迷人,理想主义者的归宿大抵如斯,那是他们安息的地方。

Pincent:

一部真正的探险片,娓娓道来,制作精良,画面摄影剪辑非常好,有历史厚度,有人性迷失,有不同文明对立,有执念和冒险精神。Z城有种魂牵梦绕、萦绕不散的感觉,探险者本身就多少带点感性和冲动的成分,探索未知也是通向自己,最后一个镜头非常棒。

汤达人:

觉得应该展示很多丛林内容的,探险的部分云淡风轻得过了,不过整体看来,比如战争的部分,家庭的部分,这部传记似乎类似于第一人,将所有的内容聚焦在个人,家庭上,而且影片的风格气质也很迷人。

Sylvia.Y:

亚马逊的丛林永远是探险者的天堂,人们对这里趋之若鹜又在这里消失。如果一直在尘世中追寻Z城,那大概永远都找不到这个未知的文明。黄金之城的意义不在其真实存在与否,而是作为这些殉道者们心中探险的原动力。

法罗岛岛主:

《迷失Z城》和《阿基尔,上帝的愤怒》就是太极阴阳图的两极,一个坚信亚马逊雨林中孕育着一个比世界上任何已知文明都要古老的史前文明——黄金国,一个持有观点——黄金国不过是被奴役的野蛮人为了哄骗一批又一批欧美探险家送死的美丽谎言,道生一,一生二,二生三,三生万物,两种立场看似水火不容,实则殊途同归,无论富饶的黄金国是否存在,本质都不过是贪婪残忍的野心家打着探寻文明的幌子,干着剥削掠夺原始人财富的勾当,和欧美殖民史如出一辙,最终的结局也不外乎前赴后继的惨死在寻梦路上。

如果你的文明是叫我们卑躬屈膝,那我就让你们见识见识野蛮的骄傲,阿基尔在将沉的木筏上被一群猴子围攻,珀西和儿子被食人族当成猪狗般抬走,昭示文明最终被野蛮吞噬。

南美古文明电影的风格和流程大致如此,也是让我有些厌烦疲倦,衬托之下阿基尔是真神作。

我略知她一二:

詹姆斯·格雷为我们构建了伦敦和亚马逊两个迥然不同但又各自伟大的世界。一个古典而浪漫,充斥着传统而浓厚的家族情感,这种以血缘关系为纽带的羞耻与荣耀伴随着很多人的一生。一个原始而野性,挥发着狂放而血腥的丛林气息,这种以杀戮演绎为生存的痛苦与冷漠见证着亚马逊的繁荣。当夜幕降临,火把点燃在星空下,这种原始的祭奠变成了最伟大的牺牲,成全了他的不安与信仰。

安安安and:

几度壮心而去,又几度去而复返,在剥离了文明的意义与历史的色彩之后,冒险有时候就只是流窜在心底那一阵最原始的冲动,我们总幻想它会演变成一团慷慨激昂并且熊熊燃烧的火焰,一往而无前。可有些故事里,它只是一场悲壮支离却又经久不散的风声,一去而不返。但那风里夹杂的哀嚎,只要一直地残喘下去,终究会唱成一曲绝望但不衰的史诗。

直到最后,所有的热血激昂都永远留在了曾经的演讲台上,曾经的同伴一一步入了安定平稳的梦乡,他只能带上儿子去完成他的满腔悲壮。可当他们终于抵达群星闪耀的地方,命运已经沦为昏沉待宰的羔羊。在他知天命的那一刻,人生终于达成了不再迷失的圆满。

#FIFF6#DAY4的无人知晓单元场刊评分稍后会在广播中为大家释出,请大家拭目以待了。

 短评

141分钟版。人物传记,冒险呢?没有,甚至在这方面的描写都很差,很简单的(仅受到一次攻击和食物危机)就到了没有(白)人发现的地方并发现文明,很简单的从没有人能回来的地方回来。

6分钟前
  • 无姓之人
  • 较差

I had a farm in Afri...对不起,进错片场。在亚马逊带着一箱吃的不敢往前多走一天,贝爷哭了。这是一个重在精神的冒险故事。想看雨林和土著文化的可以退散。其中参杂的男女和种族平等讨论,意愿是好,但手法生硬论点过于超时代,太假。影像古典路数,但是素材取舍不当,不显稳重精巧倒是拖沓了

11分钟前
  • 小斑
  • 还行

第一次看James Gray,没想到居然是一部古典韵味浓厚的浪漫主义史诗,剪辑摄影都太太太优秀,每场戏都看得如醉如痴,最后五分钟更是格外震慑人心,结尾一镜回味无穷

16分钟前
  • Steamed Punk
  • 力荐

不是很能理解帝国时期对外扩张的野心和夙愿。结尾那一刻,被食人族抬走的父子给人一种仪式感的动容,其他部分很无聊。

20分钟前
  • 踢迩达
  • 还行

古典沉稳,如幻如雾,他内心拥有河流森林湖泊,愿付诸终生寻觅未知,见他人不曾见过的风景,经历他人不曾拥有的人生,名利如浮云,飞鲲驰万里。影像从来只是冰山一角,世界从来只属于勇敢的人,而我不过坐享其成罢了。

23分钟前
  • 秋天的黛西
  • 推荐

电影生动而深情地诠释了什么是“魂牵梦绕”。本来过度浪漫化这种直男历险、白人拓荒的电影不算是好事甚至是雷区,但格雷很完美地闪避了这些,用自己娓娓道来的节奏把一个神秘而传奇的故事完全复原,我身临其境无法自拔。而且本身有些遗憾的收尾,被最后一个镜头全部挽回,看完真是恍如隔世般感动

26分钟前
  • 米粒
  • 力荐

听闻院线删了30分钟吓得没去看,看得蓝光,主题很深刻,理想乌托邦与现实之间的对弈,心怀梦想的人,永远也逃不出文明的桎梏,反而被自然之力反噬,迷失在文明与自然之中。实拍场景和摄影点赞,整体还是有些太长了

30分钟前
  • 乌鸦火堂
  • 还行

今天觀影非常愉快:片尾亮燈放字幕時,工作人員進來問還有人嗎?我以為又要被提醒沒彩蛋啊什麼的,結果工作人員竟然說,衹是近來確認一下,並沒有不讓看字幕的意思,於是非常安穩地聽完了片尾曲。享受!【日後補五星

35分钟前
  • 介意
  • 还行

散轶的探险笔记,扑火的飞蛾;我们对世界,对彼此,对自己的探索,已知与未知的比例,大概永远都是恒定的。

36分钟前
  • 战将波舰金
  • 推荐

美轮美奂, 有几场戏好像幻境, 从战场穿越到丛林, 像梦一样开枝散叶, 有点《蛇之拥抱》的错觉。老派的故事和画面真是让沉迷古典的人欲罢不能。有人会说平淡,可要拍成《夺宝奇兵》我就中途退场了。选角棒,帕丁森居然有种迷之帅气(差点认不出),而湖南一定是今年的最劳模最帅男主!

41分钟前
  • LORENZO 洛伦佐
  • 力荐

直到片尾看到producer是布拉德皮特之后才恍然大悟为什么电影里的男主角们一个个都长的像布拉德皮特ok

42分钟前
  • 黄柑柑
  • 还行

事实被改编成非虚构文字作品,这其中就不勉存在对真实的删改,再到被改编成电影,又是更多的删改,现在又在这样的电影基础上剪掉三十几分钟那又能怎样?如果让大卫·柯南伯格拍多好,拍成像危险方法那样。关于这部电影我比较喜欢的一点是,许多场景非常适合配上德彪西印象主义音乐。

44分钟前
  • 恶魔的步调
  • 还行

6/10,强烈谴责国内引进方为了增加排片赚钱蓄意删减的行为,看的如坐针毡,前面看的非常不适应,因为剧情推动的太快了,快到让我莫名其妙,以至于看完对人物动机和形象都没啥印象,所以如果对故事感兴趣的我还是不建议去看这个删减版,因为看的会很痛苦、很恶心、很想暴打提议删减的那个人。

45分钟前
  • 二月鸟语
  • 还行

难怪公映版本要删减…

46分钟前
  • 辣辣的皮特
  • 较差

在所有逆流而上的丛林公路电影里,格雷无疑贡献了最古典肌理的版本;但视听乃至于剧作上古典优雅得越不可挑剔,丛林的野性和主人公的痴迷却也就越不可体味。

47分钟前
  • Peter Cat
  • 还行

各方面都很主流,格雷最平庸的一部

48分钟前
  • LOOK
  • 较差

拍出了Z城对珀西致命的吸引力,却没拍出Z城对观众致命的吸引力。

53分钟前
  • 冰山的阴影
  • 还行

喜欢两个地方。一个是用笔记本挡箭,二是男主带儿子走后镜头从他老婆的卧室里急速后退。总体就是流水账,太长。Sienna Miller的角色和《美国狙击手》里完全一样,是故意的吗?

57分钟前
  • 猫猫
  • 还行

直男和直男去大自然 直男和胖子去大自然 直男去打仗 直男和儿子去大自然 大自然真好啊儿子我们别走啦…… 冗长散漫的直男历险记 orz 我和友邻看的是同部片吗 出色的剪辑在哪里呀?迷失在Z城里厚?

58分钟前
  • 小捌
  • 较差

不是先进文明对落后文明的俯视,而是工业文明对古老文明的反哺。詹姆士·格雷用充满历史厚度的古典拍法讲述南美开荒的鲜花与骸骨。让人魂牵梦萦的Z城啊,你也是我的南美情结所在...

1小时前
  • 同志亦凡人中文站
  • 推荐

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